Hometown of Ed Ruscha, Oklahoma City, Oklahoma, © John MacLean, Flowers Gallery
A selection of interviews with photographers and image makers.
Photographer and recent Gute Aussichten / New German Photography Award winner, Alexandra Polina, talks to us about her series ‘Masks, Myths and Subjects’.
Brighton Digital Festival and British Science Festival commissioned artist, Dominic Hawgood discusses his new virtual exhibition ‘Casting Out The Self’ for our Digital Encounters Ideas Series.
Jerwood/Photoworks Awards mentor, Rut Blees Luxemburg discusses the ideas behind her practice and the public art work ‘Silver Forest’ installed at Westminster City Hall.
In the lead up to the launch of Matthew Finn’s publication ‘Mother’ this week at Rencontres d’Arles, we spoke to publisher Dewi Lewis about this latest publication, his career and what for him makes a great photobook.
Roger Ballen’s latest exhibition, which sees an abandoned house transformed into ‘The House of the Ballenesque’, opens later this week at Les Rencontres d’Arles. We spoke to the artist in the lead up to it’s opening.
Selected as one of the winners of the recent Offspring Photo Meet portfolio reviews, we caught up with Lewis Khan to talk about his project Love Time.
On the eve of Mike Mandel’s major exhibition at SFMOMA, we caught up to talk about his projects, approach and long term collaboration with Larry Sultan.
In the run up to Photo London, we caught up with Maisie Cousins to talk about her selected works on show during the fair.
Coinciding with an exhibition at Photo London and a solo exhibition at Webber Represents, we caught up with Thomas Albdorf to learn more about his work which looks at how the internet influences our perceptions of the world.
We catch up with Prix Pictet 2017 nominee Mandy Barker, to hear more about her ‘imperfectly known animals’.
We speak to curator and photographer, Tom Lovelace, about his curation of ‘At Home She’s a Tourist’, an exhibition focussing on eclectic approaches to domestic space, showing at Copeland Gallery 19 – 21 May, 2017.
Ahead of the launch of the Marilyn Stafford FotoReportage Award in partnership with FotoDocument, we spoke to Marilyn about her hopes for the award.
Photographer, John MacLean talks about his series ‘Hometowns’, the role of collaboration in the creation of his work and his process throughout this series.
Richard Mosse talks about his latest project, Incoming, which uses a weapons-grade camera to photograph refugees and migrants as they journey across the Middle East, North Africa and Europe.
For our latest Ideas Series interview we spoke to gallerist Chris Littlewood, from Flowers Gallery about the challenges and perks of his role.
Highlights include interviews with Murray Ballard discussing The Prospect of Immortality, Lorenzo Vitturi, on his working process and Juno Calypso, as part of our talent development series.
We spoke to photographer, Ewen Spencer, about his project ‘Kick over the statues’, commissioned by Photoworks and Fabrica for Brighton Photo Biennial 2016.
‘Inside Out Upside Down’ opens at The Photographers’ Gallery November 11 and is guest curated by Wandering Bears. We spoke to the creative trio about the upcoming show.
Paper Journal are presenting an exhibition of works by former contributors at Webber Represents Gallery during September 2016, to celebrate their third birthday. We spoke to founder and editor, Patricia Karallis about the forthcoming show.
Cristina de Middel, documentary photographer turned artist spoke to us about her process of making work, how she sees the world, and what’s next for her.
Trine Stephensen, photographer and founder of ‘The Plantation Journal’ talks to us about the history of the journal and how she came to curating.
We spoke to photographer and sculptor, Lorenzo Vitturi, about the role of gentrification and urban transformation in his work and how he explores these themes.
Phil Toledano talks to us about his projects dealing with personal themes and family relationships
Carol Jacobi, curator of Tate Britain’s Painting with Light shares her thoughts on the relationship between photography and painting.
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