• 'The British Library' Yinka Shonibare MBE, installaion at Brighton Museum for HOUSE2014

    The British Library Yinka Shonibare MBE, installation at Brighton Museum for HOUSE2014

  • 'The British Library' Yinka Shonibare MBE, installtion at Brighton Museum for HOUSE2014

    The British Library Yinka Shonibare MBE, installation at Brighton Museum for HOUSE2014

  • Nelida Senoran 2014 for 'Asylum in the City'

    © Nelida Senoran 2014 for Asylum in the City

  • Leah Gordon 'Noir' from the Cast Portraits HOUSE2014

    Leah Gordon Noir from the Cast Portraits HOUSE2014

  • Tobias Revell The Monopoly of Legitimate Use HOUSE2014/Lighthouse

    Tobias Revell The Monopoly of Legitimate Use HOUSE2014/Lighthouse

  • Phillip Hall-Patch Salt Field

    Phillip Hall-Patch Salt Field

  • Svensson & Martin No One Owns The Land HOUSE2014

    Svensson & Martin No One Owns The Land HOUSE2014

HOUSE 2014: Migration, Refuge and Territory

1 May 2014

Once again, Photoworks is partnering HOUSE the annual visual arts festival in our home city complementing the Brighton Festival.

Similarly to our own festival, Brighton Photo Biennial, HOUSE presents work across the city, often in surprising locations.

Photoworks Director, Celia Davies, is Guest Curator.

Alongside a commission from the invited artist Yinka Shonibare MBE, HOUSE 2014 and Brighton Festival will present artists from South East UK selected by open submission. Lens based work features strongly.

 

'The British Library' Yinka Shonibare MBE, installtion at Brighton Museum for HOUSE2014

 

Co-commissioned by HOUSE and Brighton Festival is Yinka Shonibare MBE‘s site-specific installation. The British Library takes the form of over 10,000 books sited on the oak shelves of the former Brighton reference libraryThe work explores the impact of immigration on all aspects of British culture and considers notions of territory and place, cultural identity, displacement and refuge. Each book is individually covered in the artist’s trademark wax cloth (itself a cross-cultural hybrid of Indonesian design and Dutch manufacture), the gold embossed spines identify individuals from fields such as literature, popular music, broadcasting and the visual and performing arts, who either as descendants of immigrants or having immigrated themselves to the UK, made unique contributions to what we regard as ‘British’ culture.

TALK: Yinka Shonibare MBE in Conversation with Brighton Festival Guest Director, Hofesh Shechter – Wednesday 7 May 5.30pm

 

Nelida Senoran 2014 for 'Asylum in the City'

 

Responding to the themes raised in Shonibare MBE’s commission, Asylum in the City conveys ideas of home, language and cultural difference with an exhibition of photographs and personal stories from Brighton & Hove residents sharing experiences of migration and displacement. The works shown result from project workshops lead by photographer Alice Myers. Part of Photoworks learning and participation programme and developed by Photoworks for HOUSE2014 in partnership with Sussex Interpreting Services (SIS) Asylum in the City shows at The Regency Town House basement.

DROP-IN: Meet representatives from SIS to discuss this project and the work they do, Saturdays during the festival 2-4pm
TAKE-PART: People with experience of migration and displacement are invited to share their photographs and stories via a Tumblr project.

 

Leah_Gordon_1.jpg634x476

 

Artist and curator Leah Gordon, takes her unfinished photography project Caste/Cast as her starting point, to explore shared Haitian and British histories. Showing on the dining room and library of The Regency Town House, photographs investigating the practice of grading skin colour in eighteenth century Haiti are juxtaposed with a film of a journey along the Manchester Ship Canal.
TALK: Leah Gordon will be in conversation with John Cussans – Wednesday 14 May 6.30pm

 

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At Lighthouse, The Monopoly of Legitimate Use  is a three-part film  by critical designer and futurist Tobias Revell.  The film  interrogates political and technological territory. Looking specifically at the theme of ‘vertical migration’, Revell questions how migration doesn’t have to apply to the physical movement of people, but might also apply to how we might move vertically through the structures of society. The Monopoly of Legitimate Use is a HOUSE 2014, Lighthouse co-commission.

TALK: Tobias Revell in conversation with Anab Jain – Thursday 15 May 7pm

 

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Phillip Hall-Patch, an artist and architect, who investigates the tensions between transience and stability throughephemeral and time-based works is producing Salt Field, an installation made from blocks of industrial salt for The Brighton Waste House, a new low energy pre-fabricated house built in the city.

TALK: Phillip Hall-Patch In Conversation with Dr Mary Anne Francis Friday – 23 May 7pm
DROP-IN: Meet and chat with Philip Hall Patch and see quick action studies of salt sculptures in development Saturday – 24 May

 

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No One Owns The Land is the first collaborative commission for artist-makers Ester Svensson and Rosanna Martin, whose sculptural installation in the basement kitchen of The Regency Town House weaves together narratives of journeys and migrations, to create a sense of place and the imagined land, often an unattainable dream.

TALK: Ester Svensson and Rosanna Martin in Conversation with Annie Cattrell – Sunday 11 May 4pm

 

For more info and to book tickets for talks visit the HOUSE festival website