Madia, Catania, Sicily, Italy, November 2015. © Daniel Castro Garcia / John Radcliffe Studio
Our online showcase is an opportunity to see new work. We’re always on the lookout for new ideas and approaches and welcome submissions.
We look at the work of photographer David De Beyter and his series ‘Big Bangers’, shown as part of FOAM Talent, 2017.
Our latest showcase is Sam Laughlin, one of the three Jerwood/Photoworks Awardees. We look at the work predating the award ahead of the Jerwood/Photoworks Awards exhibition launch, January 2018.
Selected from the open call submission for Photoworks Annual Issue 24, Derek Ridgers explains how photographing the LGBTQ+ communities and the impact on his practice.
Selected from the Photoworks Annual open call, John Paul Evans’ work presents a performative take on wedding portraiture by looking at changing notions of marriage and domesticity.
Selected from the open call submission for Photoworks Annual Issue 24, Angela Sairaf’s series shares the story of Nahomy, who became a transgender advocate after a serious attack.
Selected from the recent open call for submissions for the upcoming Photoworks Annual Issue 24, Olga Lidia Saavedra’s series uses photography and storytelling to explore the relationship between the family unit and transgender individuals in Cuba.
Selected as a Photoworks Award winner, London College of Communication BA Photography graduate Julien Martinez Leclerc explains his approach to researching and assembling images in the series Collecting and Staging.
Chris Nunn’s ongoing series looks at the domestic and the everyday in face of long term and violent conflict.
Pål Hansen’s series, One Day In Brooklyn, captures the sights and characters of New York.
James Murray’s debut solo exhibition ‘Desire Works’ shows at Project 78 Gallery from April 22 – May 13.
Selected as a Photograd runner up in the recent call for entries on the theme of superstition, Robert Darch’s series The Moor presents mythology in the landscape.
Selected as a Photograd runner up in the recent call for entries on the theme of superstition, Harry Rose collects, investigates and explores Bigfoot sightings through the UK.
Selected as the Photograd winner of the recent call for entries on the theme of superstition, Silas Dominey’s series The Striding Place presents the hidden history of the river Wharfe.
Taken from his latest publication, Michal Luczak’s showcase presents the short and longterm fallout of a devastating earthquake in Armenia.
Isaac Blease’s series Charaxes Imperialis was shortlisted for the second Jerwood/Photoworks Awards
Davide Meneghello, 2016 MA Photography graduate from London College of Communication, reflects on the hidden past of homoerotic imagery in photographic archives in his series Again He Holds Me by the Hand.
Raquel Carro, 2016 MA Photography graduate from London College of Communication, uses photography and found materials to create narratives around remote communities in Northern Spain in her series Between the Cracks.
Selected as a Photoworks Award winner, London College of Communication MA Photography graduate Julian Benjamin looks into ideas of authorship and identity in the series Self Portraits of Other People.
Teresa Eng’s series Self/Portrait considers the presentation of a generation through selfies.
Thom Bridge was invited to attend the BPB Portfolio Reviews with his bodies of work Fält and Elite.
Jessa Fairbrother was recently invited to attend the BPB Portfolio Reviews with this series, Conversations with My Mother.
Our latest showcase is photographer, Immo Klink, whose work focuses on migrant camps and migrants relationship to clothing.
Estabrak Al-Ansari was selected as DWMA Curators’ Choice Prize for the Danny Wilson Memorial Award in this year’s Brighton Photo Fringe.
Recent 2016 University of Brighton MA Photography graduate Martin Seeds looks at the role of the Northern Ireland Assembly using the natural landscape as metaphor for the fragile political landscape.
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