Named after an extract from TS Eliot’s poem East Coker, Lyssa Harakis-Parish’s series When Here and Now Cease to Matter explores the artist’s own home. As a child Harakis-Parish didn’t have a private space moved house multiple times, meaning these images document both their relationship with the idea of home, and the physical act of building one for the first time. Shot on both 120mm film and Polaroids, the images feature the recurring motif of sunlight, which symbolises the significance of this new-found personal space to the artist. Brought up in South Devon, Harakis-Parish works mainly with analogue film processes, poetry, and found archival material “through the lens of my experience growing up in poverty and as part of the Cypriot diaspora”. They identify as queer, and explore notions of heritage, belonging, and history through theoretical ideologies of the “Other”, rooted in concepts of home.