As a child, Austin Cullen became fascinated with the
extravagant ways in which natural history museums framed the American
landscape. A Natural History (Built to be Seen) catalogues how the
natural world is presented and constructed within museums, including dramatic
dioramas, interactive virtual experiences and miniaturised landscapes. These depictions
all act as windows into the natural environment and as a guide for reading and
understanding nature, but in the process they also say something about the
complex and ever-changing relationship between people and land. Museums teach
us about our environment, but they often separate us from it too. In a global
climate crisis, it’s imperative to reassess our understanding of nature. By
creating images that subvert viewers’ ideas of what’s natural and what’s not,
Cullen asks his audience to recognise how museum displays influence conceptions
of the larger natural world.