Photography+ is our online magazine that explores how photography intersects with everyday life. Each issue is themed and includes interviews, opinion pieces, essays and folios. Our 2021 writer in residence is Tshepiso Mabula.

#15 Hope and Futurity

#15 Hope and Futurity

Editor's note

#15 Hope and Futurity

This issue of Photography+ — the first of the new year ­— focuses on hope. Following from our last issue on the Environment, an often bleak and despairing topic in the era of climate catastrophe, we are interested here in how photographers are imagining the future — how they are holding onto hope for a better future, unmarred by current realities of war, climate chaos, pandemics and vaccine inequality, and migrant crises. While a better future might, at times, seen unattainable, this issue explores how photography can help us trust in the possibilities of this future, giving us the hope we need to organise in service of a transformed world. How can photography help lead us out of apathy and despair by offering us a glimpse into this world? This is a question that the artists and writers of this issue seek to answer. Ricardo Reverón Blanco writes on Stacy Arezou Mehrfar’s series, Down in the Forest, We Sing A Chorus (2020-21), touching on themes of isolation, hope, and the interdependency of nature. Clorinde Peters responds to Asia Werbel’s photograph “Daughter” (2020) and explores motherhood, loneliness, and how we might build communities of care. Charlotte Flint looks back at the work of lesbian artist and activist Tee Corinne, arguing that Corinne’s images of eroticism and desire between women inspire us to work towards the just future that we want. Our writer in residence, Tshepiso Mabula ka Ndongeni, explores the photographer Puleng Mongale, whose work invites Black South Africans to re-connect to ancestors and to a lost notion of home. In this issue’s interview, Alun Be discusses his series Edification and the relationship between identity, inheritance, and the future. Finally, we are delighted to publish as our Community Submission Lixuan Guo’s photograph, “Tomorrow’s Wings,” which celebrates the creativity and resilience of a new generation. We hope you enjoy this issue!

#14 Environment

#14 Environment

Editor's note

#14 Environment

It’s with pleasure that I welcome readers to this issue of Photography+. As the new Editor, it has been very exciting for me to put together this issue on the Environment with writers and artists whose work is urgent, provocative, and timely. Over the coming months, Photography+ will be working on innovative and creative stories that focus on how photography intersects with the everyday. Taking as a basis the crucial political and social issues of our time–climate change, pandemics, global vaccine inequality, workers’ struggles beyond borders, and movements against state violence, for example—we will be asking how photography helps us both understand the world in which we’re living and imagine a better, freer, more just future. Since we are in an era of profound ecological crisis, this issue is devoted to exploring the role of the photographer in documenting and confronting the climate catastrophe. Each writer and artist asks us to think through the relationship between photography and climate change, between the photographer and their environment. Ricardo Reverón Blanco reviews Mandy Barker’s latest series, STILL (FFS), showing us how Barker imbues life into the lifeless bodies of her subjects, the Flesh-Footed Shearwaters of Lord Howe Island. Tshepiso Mabula ka Ndongeni tells us about Umhlabathi, a photography collective in Johannesburg that takes inspiration from soil in order to document racial and class inequality in South Africa. In our interviews, Nadia Huggins explains how her work with water allows her to re-represent the Caribbean beyond colonial imagery, and Lucas Leffler describes how his use of natural elements helps him create new photographic processes. In an article on sustainability and the photographic industry, Hannah Fletcher from The Sustainable Darkroom and Matt Barker from MPB tell us how they envision a sustainable future for photography and a collaborative community of photographers. Finally, for each issue of Photography+, we will be asking our readers to submit photographs in relation to the issue theme. We are thrilled to publish the first photograph drawn from our Community Submissions: Laura Denning’s Toxic Monocultures (2021). I look forward to working with more photographers from the Photography+ community over the coming months. I hope you enjoy reading this issue! With thanks, Nisha

#13 The Graduate Issue

#13 The Graduate Issue

Editor's note

#13 The Graduate Issue

After another challenging academic year where many photography students were taught remotely and faced limited access to campus and facilities, we celebrate the work of ten graduates from around the world. Jodie Bateman, Lina Geoushy, Matt Hind, Lena Holzer, Wing Ka Ho, Esther Gabrielle Kersley, Marianne McGurk, Ryan Prince, Agnieszka Sejud, Felix Schöppner.  The selected projects reflect a range of ideas and experiences, from personal projects born out of lived experience to work tackling current social and political issues. Special thanks to the selection panel including; Natasha Caruana, artist, lecturer and mentor, Daniele de Luigi, Curator Giovane Fotografia Italiana, writer and critic, Ian Howarth, Photographer and Content Creator MPB, Tshepiso Mabula, Photoworks writer-in-residence and photographer, Maryam Wahid, artist and lecturer, and Julia Bunnemann, Photoworks Curator. A huge thank you to our sponsors MPB and print partner Spectrum Photographic for selecting four lucky graduates to support with kit loan and a printing voucher.

#12 Time

#12 Time

Editor's note

#12 Time

Time travel, coming of age, vintage games and youth culture all feature in this new issue of Photography+ Time. Antony Cairns' project Gordon Earl Adams – Eternal Time and Infinite Space explores one man’s pursuit of time travel. While Kíra Krász’s portfolio documents her confinement during lockdown through the lens of the classic 1980s video game Tetris. Luo Yang’s ongoing series documents youth culture in contemporary China. Writer-in-residence Tshepiso Mabula ka Ndongeni introduces us to the work of Johannesburg-based photographer Ngidi Thandolwemfundo. The work explores Thandolwemfundo's journey into fatherhood, reflecting on how this specific change has made him the man and artist he is today. We delve deeper into the work of Tarrah Krajnak as she uses photography and text to engage with her native Perú and her given indigenous identity while investigating socio-political events in Peru in the late 1970s. We also explore the work of Shiraz Bayjoo and his project Searching for Libertalia, an exploration of the layered history of Madagascar.

#11

#11

Editor's note

#11

This new issue of photography+ takes a closer look at the practice of three women artists - Mónica Alcázar-Duarte, Lucia Pizzani, Xaviera Simmons - all of whom have been working towards exhibitions or making new bodies of work during lockdown. We hear from Mónica Alcázar-Duarte, describing in her own words the motivations and connections which weave through her practice. Lucia Pizzani talks us through her new body of work Acorazadas, and we dive deeper into the upcoming exhibition of Xaviera Simmons, as part of the Liverpool Biennial. We reflect on community with curator Ricardo Reverón and artist Eva Louisa Jonas who look back on their recent experience working together to create safe and creative spaces for LGBTQ+ communities. We are also very happy to welcome Tshepiso Mabula, our writer in residence for 2021. Based in Johannesburg her first text introduces her environmental and photographic influences growing up in South Africa.

#10 Care

#10 Care

Editor's note

#10 Care

2020 was a year of unexpected changes and challenges. A year which we were forced to stop or to pivot direction. For some, 2020 allowed time to think, to reflect, to experiment or to change. It has also without a doubt highlighted how we care; for each other, for ourselves and for our communities. This issue of Photography+ explores photography in relation to care. We have published an exclusive conversation between photographer Peter Watkins and writer Oliver Shamlou, a conclusion to Watkin's series The Unforgotten‘to some future place where the centrality of this trauma is moved aside.’ Meanwhile, artist Othello De'Souza-Hartley  speaks to us about his practice and forthcoming projects, including a new self-portrait in his father’s empty bedroom. We are pleased to partner with Wellcome to bring you a creative writing response to their current commission The Covid-19 Anxiety Project. Read a new piece of writing by West Midlands based curator and writer Anneka French who, when looking at the images, shares how her own memories of lockdown are evoked, and poems come to her. We are excited to share new work by Murray Ballard, Zoe Childerley, Celine Marchbank and Helen Sear for CONNECT – the 3Ts hospital redevelopment public art programme at Brighton’s Royal Sussex County Hospital. Finally, delve in and enjoy the final essay by our 2020 Writer in Residence Marissa Chen: The Many Faces of Self-Care.

#9 Alternative Narratives Issue

#9 Alternative Narratives Issue

Editor's note

#9 Alternative Narratives Issue

Building on the curatorial theme presented for our inaugural Photoworks Festival, this issue of Photography+ seeks to delve deeper into global perspectives on photography, via new bodies of work by emerging artists and historical perspectives missed or overlooked in the past. Our writer in residence, Marissa Chen, speaks to the founders of the Angkor Photo Festival. Meanwhile, Hudda Khaireh of collective Thick/er Black Lines builds and expands on the ideas she presented during the Photoworks Festival in an article titled Black looks? Capturing the (de)colonial in the everyday. Our curator, Julia Bunnemann, revisits the work of Lorraine Leeson and Peter Dunn through a contemporary lens. We also have two special expanded folios features for this issue. Read our conversation with Diana Markosian about Santa Barbara, her debut monograph and a compelling reconstruction of her family’s first years in the United States after leaving Russia in the 1990s. We also caught up with Renata Bolívar, who has shared images from her latest project which takes us into the darkness of the Columbian highways.

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