Personal dreams also inform Krajnak’s El Jardin de Senderos que se Bifurca. Ultimately, it is an abstract visual meditation on time and temporalities, the arbitrariness of representation, the versatility of truth in the absence of memories, and the fragility of the existing ones.
Tarrah Krajnak works on several projects at the same time and not all of them have such depth and investigative diligence. In her project Master Rituals II: Weston’s Nudes the artists re-enacts Edward Weston’s iconic nude studies. As a brown woman, she makes a playful, yet critical commentary on the canonical white male gaze in photography. Master Rituals II: Weston’s Nudes has been shortlisted for the Louis Roederer Discovery Awards and will be exhibited at the Rencontre d’Arles 2021.