Image: © Vicki Couchman / British Culture Archive (@britishculturearchive)

27 March 2026, 1pm - 5.30pm
Fyvie Hall, University of Westminster Ground floor, 309 Regent Street, London, W1B 2HW

Photoworks and Eidolon Centre celebrate all photographs vernacular

In Collaboration with the University of Westminster

Photoworks and Eidolon Centre for Everyday Photography present Eidolon Club Vol. 12: The People’s Pictures, an afternoon of talks celebrating vernacular photography and the importance of everyday image-making, developed in collaboration with the University of Westminster and in conjunction with Photoworks’ Photography+. Vernacular photography captures the ordinary, the personal, and the overlooked moments of daily existence. From family snapshots and tourist photos to amateur portraits and street snaps hots, these images reveal the rich, textured life of photography beyond the professional or artistic sphere.

The event brings together Eidolon’s community of vernacular photography aficionados with Photoworks’ contemporary photography audience, creating a shared space for exchange. It offers an opportunity for everyday photography enthusiasts to gather through panel discussions and short showcases by vernacular photography collectors. The programme is photography-forward, prioritising conversation and engagement over long-form presentations.

 

Programme

Parallel Pictures: Everyday Images, Circulation and the Archive
A panel convened Amin Yousefi, Editor of Photography+, bringing together Photography+ contributors Laura Havlin and Carolina Semprucci to explore how vernacular photography exposes gaps and silences in photographic archives, and how digital images are reshaping authorship, amateurism, and memory.

Finders, Keepers? The Role of Collectors and the Preservation of Everyday Photography
A panel convened by Eidolon Centre examining the under-acknowledged role of vernacular photography collectors as stewards of photographic history with panelists Marta Weiss, curator of photography at the Victoria and Albert Museum and Pelumi Odubanjo, curator, writer, and researcher, moderated by Róza Tekla Szilágyi, director of Eidolon Centre for Everyday Photography.

Collector Perspectives: Archive of Modern Conflict and Photobooth Technicians Project.
Represented by Jen Grasso, photobooth technician and archivist at the University of Brighton Design Archives, co-creator of the analogue photobooth community archive and the Photobooth Technicians Project
Two collecting entities have been invited to bring a single photograph of particular significance to them and speak for ten minutes about their personal connection with it. More than a showcase, this is a rare opportunity to hear directly from those who collect about what it actually feels like to encounter and hold on to an image.

Collector Perspectives: Archive of Modern Conflict and the Photobooth Technicians Project – represented by Jen Grasso, photobooth technician and archivist at the University of Brighton Design Archives, co-creator of the analogue photobooth community archive and the Photobooth Technicians Project
Two collecting entities have been invited to bring a single photograph of particular significance to them and speak for ten minutes about their personal connection with it. More than a showcase, this is a rare opportunity to hear directly from those who collect about what it actually feels like to encounter and hold on to an image.

Biscuit Tins and Everyday Collage
David Bate, Professor of Photography, and Susan Ribeiro, artist and practice-based researcher, both at the University of Westminster, will discuss the practice of collage in everyday photography. Their conversation will focus on Susan’s research project, Biscuit Tins, which centres on fourteen biscuit tins assembled by her mother between 1974 and 2020, containing vernacular photographs and documents relating to migration from the Iberian Peninsula to Britain and the formation of family life across Spanish, Portuguese and British contexts. The project explores themes of collecting, memory and social identity, examining how migration is remembered and transmitted through domestic photographic archives from a second-generation perspective.

Day Schedule

12:30 Doors open
13:00–13:30 Opening remarks
13:30–14:30 Parallel Pictures: Everyday Images, Circulation and the Archive + Q&A
14:30–15:00 Lunch Break
15:00 – 15:15 Collector Perspectives: Archive of Modern Conflict
15:15 – 16:15 Finders, Keepers? The Role of Collectors and the Preservation of Everyday Photography + Q&A
16:15 – 16:30 Short Break
16:30–16:45 Collector Perspectives: Photobooth Technicians Project, represented by Jen Grasso
16:45–17:30  Biscuit Tins and Everyday Collage
17:30–18:00 Networking & Informal Close

Tickets

This is a ticketed event.

Get your ticket here


Photoworks Friends
and students of the University of Westminster can attend free of charge, on a first-come, first-served basis. Friends can RSVP by emailing friends@photoworks.org.uk. University of Westminster students will receive a discount code directly from the University.

We are also offering five bursary tickets for those who would benefit from free access. To request one, please email friends@photoworks.org.uk.

 

This event is wheelchair accessible. Find out more information via AccessAble.

 

 

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