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Co-commissioned by Photoworks and HOUSE 2015 Amanda Loomes’ film installation shows in Brighton & Hove until 24 May 2015
British School at Rome Photoworks Fellow, Zed Nelson, has made a film short film about UKIP supporters for Channel 4
Catch up with Alice Myer’s participation project Asylum in the City, exhibited during HOUSE 2014 at The Regency Townhouse.
Do you have personal experience of migration or displacement, and a story to tell? Our Asylum in the City project is collecting words and images through a Tumblr blog.
Co-commissioned by Photoworks, an exhibition of photographs and personal stories from Brighton residents sharing experiences of migration and displacement. The works result from project workshops lead by photographer Alice Myers.
A Channel 4 commissioned film about survivors of the Lampedusa boat tragedy has grown out of a project enabled by The Photoworks British School at Rome (BSR) Fellowship.
The collaborative working process and participants’ work are charted on the not going shopping blog and in a freely distributed newspaper.
For the Photoworks British School at Rome Residency, Photoworks awarded Zed Nelson a research fellowship designed to encourage the development of a major project. Here, Zed reflects on his residency and the development of his latest work.
The Photocopy Club is a collective producing a monthly exhibition of photocopied/xerox photography from photographers around the world.
My first memory at the British School at Rome was a loud bell ringing.
It was my friend Michael who suggested driving to Rome. He said I would enjoy it.
He likes that kind of thing… days at the wheel, alone. I slowly came around to the idea, thinking that aside from the dubious advantage of having a car in Rome, it would also mean I could take more things with me. Equipment, books, computer hard drives, DVD’s
The Photoworks Fellowship is the first residency at the British School devoted exclusively to photography. David Spero was awarded the first Photoworks Fellowship at the British School at Rome in 2008.
Over the last ten years, dissatisfied with the often complacent values of the photography world, Clare Strand has assembled a body of work that is both subversive and celebratory in its approach to photographic conventions.
The fifth in the Photoworks Monograph series, Bettina von Zwehl’s work forms a delicate and exquisitely detailed catalogue of human physiognomy.
Second in the Photoworks Monograph series, this book has now become a highly sought after collector’s item.
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