Photography+ is our online magazine that explores how photography intersects with everyday life. Each issue is themed and includes interviews, opinion pieces, essays and folios. Our 2021 writer in residence is Tshepiso Mabula.

#12 Time

#12 Time

Editor's note

#12 Time

Time travel, coming of age, vintage games and youth culture all feature in this new issue of Photography+ Time. Antony Cairns' project Gordon Earl Adams – Eternal Time and Infinite Space explores one man’s pursuit of time travel. While Kíra Krász’s portfolio documents her confinement during lockdown through the lens of the classic 1980s video game Tetris. Luo Yang’s ongoing series documents youth culture in contemporary China. Writer-in-residence Tshepiso Mabula ka Ndongeni introduces us to the work of Johannesburg-based photographer Ngidi Thandolwemfundo. The work explores Thandolwemfundo's journey into fatherhood, reflecting on how this specific change has made him the man and artist he is today. We delve deeper into the work of Tarrah Krajnak as she uses photography and text to engage with her native Perú and her given indigenous identity while investigating socio-political events in Peru in the late 1970s. We also explore the work of Shiraz Bayjoo and his project Searching for Libertalia, an exploration of the layered history of Madagascar.

#11

#11

Editor's note

#11

This new issue of photography+ takes a closer look at the practice of three women artists - Mónica Alcázar-Duarte, Lucia Pizzani, Xaviera Simmons - all of whom have been working towards exhibitions or making new bodies of work during lockdown. We hear from Mónica Alcázar-Duarte, describing in her own words the motivations and connections which weave through her practice. Lucia Pizzani talks us through her new body of work Acorazadas, and we dive deeper into the upcoming exhibition of Xaviera Simmons, as part of the Liverpool Biennial. We reflect on community with curator Ricardo Reverón and artist Eva Louisa Jonas who look back on their recent experience working together to create safe and creative spaces for LGBTQ+ communities. We are also very happy to welcome Tshepiso Mabula, our writer in residence for 2021. Based in Johannesburg her first text introduces her environmental and photographic influences growing up in South Africa.

#10 Care

#10 Care

Editor's note

#10 Care

2020 was a year of unexpected changes and challenges. A year which we were forced to stop or to pivot direction. For some, 2020 allowed time to think, to reflect, to experiment or to change. It has also without a doubt highlighted how we care; for each other, for ourselves and for our communities. This issue of Photography+ explores photography in relation to care. We have published an exclusive conversation between photographer Peter Watkins and writer Oliver Shamlou, a conclusion to Watkin's series The Unforgotten‘to some future place where the centrality of this trauma is moved aside.’ Meanwhile, artist Othello De'Souza-Hartley  speaks to us about his practice and forthcoming projects, including a new self-portrait in his father’s empty bedroom. We are pleased to partner with Wellcome to bring you a creative writing response to their current commission The Covid-19 Anxiety Project. Read a new piece of writing by West Midlands based curator and writer Anneka French who, when looking at the images, shares how her own memories of lockdown are evoked, and poems come to her. We are excited to share new work by Murray Ballard, Zoe Childerley, Celine Marchbank and Helen Sear for CONNECT – the 3Ts hospital redevelopment public art programme at Brighton’s Royal Sussex County Hospital. Finally, delve in and enjoy the final essay by our 2020 Writer in Residence Marissa Chen: The Many Faces of Self-Care.

#9 Alternative Narratives Issue

#9 Alternative Narratives Issue

Editor's note

#9 Alternative Narratives Issue

Building on the curatorial theme presented for our inaugural Photoworks Festival, this issue of Photography+ seeks to delve deeper into global perspectives on photography, via new bodies of work by emerging artists and historical perspectives missed or overlooked in the past. Our writer in residence, Marissa Chen, speaks to the founders of the Angkor Photo Festival. Meanwhile, Hudda Khaireh of collective Thick/er Black Lines builds and expands on the ideas she presented during the Photoworks Festival in an article titled Black looks? Capturing the (de)colonial in the everyday. Our curator, Julia Bunnemann, revisits the work of Lorraine Leeson and Peter Dunn through a contemporary lens. We also have two special expanded folios features for this issue. Read our conversation with Diana Markosian about Santa Barbara, her debut monograph and a compelling reconstruction of her family’s first years in the United States after leaving Russia in the 1990s. We also caught up with Renata Bolívar, who has shared images from her latest project which takes us into the darkness of the Columbian highways.

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