Photoworks understands the importance of upholding your privacy and safeguarding your personal data. We will use information about you only in accordance with the Data Protection Act 1998, General Data Protection Regulations 2018 and other relevant legislation and regulations. Please email any questions or comments to info@photoworks.org.uk. Our postal address is: Photoworks 28 Kensington St …
Olivia Arthur discusses which eight photographs she would take to a desert island with host, Stephen Bull.
Which eight photographs would Simon Roberts take with him to a desert island?
Recorded at Photo London 2017, celebrated Magnum photographer Susan Meiselas discusses the eight photos she’d take with her to a desert island.
Which eight photographs would you take to a desert island?
Which eight photographs would Simon Roberts take with him to a desert island?
Continuing our Desert Island Pics talks series with audio from 2014, Jeremy Deller discussed the eight photographs he’d take with him to a desert island. Loosely following the format of Radio 4′s Desert Island Discs, our regular host, Stephen Bull discussed Jeremy’s selections with him and discover how they reflect his life and career.
Mishka Henner has been described as a modern-day Duchamp for his appropriation of image-rich technologies including Google Earth, YouTube and Taaz.
Which eight photos would you take with you to a desert island? Martin Barnes, Senior Curator of Photographs, Victoria & Albert Museum, reveals his choices to our regular host Stephen Bull and discusses how they reflect his life and career.
For Desert Island Pics Stephen Bull’s castaway discusses the eight photographs they would wish to have with them if they were stranded on a desert island.
Photographer Nick Waplington, chooses eight photographs to take with him to an imaginary desert island. Interviewed by our regular host Stephen Bull, Nick discusses his choices and how they reflect his life and career.
Photoworks presents Desert Island Pics with Mike Mandel in partnership with Format International Photography Festival
Continuing our Desert Island Pics talks series, Jeremy Deller discusses the eight photographs he’d take with him to a desert island. Loosely following the format of Radio 4′s Desert Island Discs, our regular host, Stephen Bull will discuss Jeremy’s selections with him and discover how they reflect his life and career.
Discover the eight photographs Alec Soth would take to a desert island.
The Photographers’ Gallery Director, Brett Rogers O.B.E. reveals her choices to our regular host Stephen Bull.
Loosely following the format of Desert Island Discs, this talk took place in January at London Art Fair 2014 and saw Alison choose the eight photographs she’d take with her to a desert island. She discussed the thoughts behind her choices with Stephen Bull.
The Guardian’s photography writer Sean O’Hagan chooses eight photographs to take with him to a virtual desert island. Stephen Bull (Photography Course Leader, University for the Creative Arts), discusses Sean’s choices with him and examines how they reflect his life and career.
Mishka Henner became a Photoworks Desert Island Pics castaway in September 2013.
Which eight photographs would Martin Parr take to a desert island?
As part of Photoworks Desert Island Pics series, we keep an online archive of our events, where we ask interesting people including photographers, writers and curators about their favourite photographs and how they reflect their life and career.
Curator of Photography and International Art at Tate, Simon Baker revealed his Desert Island Pics to an audience at Jerwood Visual Arts, Jerwood Space, London in December 2013.
At the beginning of 2016, we decided to take a look back at five of our previous talks from the archive.
Renowned photographer, Nick Waplington commissioned for One Planet City chooses eight photographs to take with him to an imaginary desert island.
The photographer Brian Griffin, whose renowned publications include Work and Power joined Stephen Bull to share his Desert Island Pics at Format Festival 2013.
Our castaways are usually asked to choose the eight photographs they would take with them to a desert island. But we’re marking Photobook Bristol 2014 with a slight change to our customary format.
Fresh from a Tate St Ives’ retrospective of his thirty-year career, Peter Fraser discussed his choices with Stephen Bull (Photography Course Leader, University for the Creative Arts) in a format that loosely follows Radio 4’s Desert Island Discs.
Our second castaway during the Brighton Photo Biennial 2012 was British photographer Anna Fox, whose work has been widely exhibited and published internationally since the 1980s.
Environmental Policy Photoworks is dedicated to enabling participation in photography, the most democratic medium of our contemporary visual culture. We do this by connecting outstanding artists with diverse audiences through an innovative range of projects, events and platforms. Collaboration is central to our work, making us an agile organisation, able to deliver projects at local, …
Refunds and Returns You have the right to cancel your order within seven days of receiving your items. We will refund cancelled orders in full as soon as we have received your returned items in their original condition. We will not refund postage and packaging costs, or pay for the costs of returning your order. …
Once again Photoworks will be heading to Derby for the FORMAT International photography festival.
We’ll be heading to Photobook Bristol, 6-8 June 2014, showing a selection of our rare and signed publications, and presenting another installment in our Desert Island Pics talks series.
Photoworks are pleased to be spending the week at London Art Fair 2014 hosting a talk and holding a stand with a selection of publications.
‘Noon in the Desert’, the photographic series by Annabel Elgar, examines nuclear weapons test sites from the 1950s, drawing on the test procedures for inspiration.
Business Design Centre
Islington, London N1
Thank you for being a Photoworks Member The continued support of our Members is very important to us. Your membership will remain active and we will automatically collect payment via PayPal once a year, unless you choose to cancel. Let’s keep in touch Emails to Photoworks Members We’ll use the email associated with your …
Brighton Museum & Art Gallery
3 October 2015 – 21 February 2016
Jorre Both celebrates the Internet as a never ending source of imagery today.
I provided the image in the poster for the 2007 Globale film festival in Berlin. It depicts burning boats, initially built by illegalised migrants hoping to reach the Canary Islands before being destroyed by the Moroccan police once they had captured them.
Next up on our Instagram takeover is London based photographer, David Ryle, January 2018.
Photographer, Oded Balilty shares his series ‘Glass Mountains’ looking at the junkyard of Israel’s only glass container factory in the heart of Israel’s desert.
Selected as a Photoworks Award runner up, 2016 LCC photography graduate Giulia Parlato recreates a mythical narrative for her fictional characters to navigate.
Rhiannon Adam was born in Co. Cork, Ireland in the 80s. She studied Art and Design at Central Saint Martins before embracing Nabokov, banned books and nonsense poetry while studying English at the University of Cambridge. Adams is our next Instagram takeover on our account.
At 5.30am on 16 July 1945 the US Government detonated the first atomic bomb at the Alamagordo Bombing Range in the Jornado del Muerto desert, New Mexico.
An organisation 30 years – and more – in the making, Photoworks has spent three decades supporting artists and individuals creating, curating, engaging with, developing, and thinking about images across the UK and far beyond. Photoworks Annual 32 celebrates this work, including image-makers from the organisation’s past and present, an in-depth history, and insights into …
BPB14 Community, Collectives & Collaborations opening weekend offers a schedule of talks and exhibition previews in and beyond Brighton & Hove.
Stand M4
Business Design Centre
Islington, London N1
Photoworks Friends is for anyone who wants to learn and be a part of the contemporary photography sector. We are a globally recognised charity proud to offer an engaging, provocative, and insightful year-round programme. By becoming a Friend your annual contribution will also directly support our programme and fund opportunities for artists. Last year, the scheme …
We’re looking forward to exhibiting again at London Art Fair.
At this years Brighton Digital Festival we will be continuing our Desert Island Pics and commissioning new online articles in our Ideas series.
Photoworks Annual 32 An organisation 30 years – and more – in the making, Photoworks has spent three decades supporting artists and individuals creating, curating, engaging with, developing, and thinking about images across the UK and far beyond. Photoworks Annual 32 celebrates this work, including image-makers from the organisation’s past and present, an in-depth history, …
Diane Smyth, editor of the publication, will be in conversation with participating artists Mohamed Hassan and Johnny Pitts joined by book designers Jane & Jeremy.
Craig Atkinson talks to Alice Compton about the titles published by Café Royal Books, the weekly photobook publisher.
Sign up to the newsletter Keep up to date with exhibitions, events, opportunities and our online magazine Photography+, as well as ways to learn more about how to get involved with and support our work. Our Privacy Policy explains how we use your data and how you can opt out. Follow us on Instagram, Twitter …
For this residency, the Royal Geographical Society, in partnership with Photoworks and the Italian Cultural Institute in London are seeking Italian photographers, with an interest in and focus on archives and archive research. In this opportunity, artists are invited to immerse themselves in the historic collections of the Royal Geographical Society and engage with materials …
Photoworks is a registered charity (1053208) and company limited by guarantee (03043169). By using and/or visiting the Photoworks website you agree to these terms and conditions. Disclaimer Photoworks has tried to ensure that the contents and information we provide on our websites and newsletters are accurate at the time of posting. However, we cannot guarantee …
Giclée print on Hahnemühle Photo Rag Pearl From an edition of 100 numbered and signed on the reverse Image size: 14 x 11 inches Paper size: 16 x 13 inches Unframed £150 + p&p (Photoworks Members £120 + p&p) Every purchase from our shop directly supports our programme. By purchasing a Photoworks print, you are …
Richard Mosse talks about his latest project, Incoming, which uses a weapons-grade camera to photograph refugees and migrants as they journey across the Middle East, North Africa and Europe.
Prompted by Photoworks to answer What makes a good photograph? I decided to put the question to photonet forum, asking this same question to the contributors, who are mainly photographers.
England’s New Lenses Untold Heritage, 2020 Untold Heritage is part of England’s New Lenses, a partnership project with English Heritage through Shout Out Loud. Untold Heritage invited 13 – 25 year olds across England to explore their own sense of heritage through photography this summer. Young people were asked to share with us the stories …
Marianne Bjørnmyr series ‘An Authentic Relation’ looks at a diary found on the barren and desolate South-Atlantic island of Ascension in 1726.
Hujiang is a remote island close to the border of China; from the beginning of the 20th century many people illegally sailed from Hujiang along the Pacific, looking for opportunities elsewhere and, after 1980, to escape the one-child policy. Many of these migrants were forced to leave behind babies and young children, cared for by …
Alexandra Uhart was awarded the first place Photoworks Prize at the 2015 London College of Communication Photography Degree Show for her project Somewhere Here.
In this exclusive interview for Photoworks magazine from Issue 7, Julian Stallabrass talks to Gilane Tawadros about ideas and motivations which shaped the 2006 edition of the Photo Biennial.
In the autumn at the age of nineteen, I arrived at Manchester Polytechnic to study photography, having had an unnerving three months previously studying Civil Engineering at Hatfield Polytechnic and discovering that it wasn’t for me.
‘Today we are people who know better,’ the American artist Sam Green tells us in a recent performance of his Utopia in Four Movements, ‘and that’s both a wonderful and terrible thing.’
In this photobook exhibition Danit Ariel, Photoworks Curator, looks at the form of the photobook as a narrator, or a medium in and of itself.
Leading on from her exhibition as part of The Discovery Award at Les Recontres d’Arles, we caught up with Monica Alcazar-Duarte, August 2018.
Marilene’s practice is focused on the environmental and the Human Rights agendas, with a decolonial gaze from the Global South. Her projects are engaged in the political agency of photography and in the role of image-based media in society. Open Fire What is the future of our natural landscapes? What is the future of our …
Interview by Nicola Jeffs, Photoworks. Lucia Pizzani (born 1975) is a Venezuelan artist based in London. Her work addresses ideas of gender, body and nature, and incorporates a mixture of photography, performance, installation, sculpture and video. Drawing on references and ideas from the Surrealists and the body art of the 1970s, as well as practices …
U.S based photographer, Frances F. Denny speaks about her series and publication, ‘Let Virtue Be Your Guide’ and latest works, ‘Pink Crush’ as part of our Ideas on Talent series.
With this showcase we look at the series ‘Lanzarote’ by Giovanna Petrocchi – a constructed world encouraging reflections on the meaning of landscape.
Oluwatobiloba Ajayi, 24 October 2025 Oluwatobiloba Ajayi was commissioned as a writer-in-residence at Aspex Portsmouth to develop a text in response to Traces of the Non-Existent, the Spring 2025 exhibition at Aspex Portsmouth by multidisciplinary artist Ebun Sodipo. This residency and its outcome are presented as part of the Photoworks Photography Champions programme, and published …
the thing about festivals, the thing about photography, the thing about photobooks, the thing about placemaking, the thing about survival, the thing about care, the thing about exhibitions, the thing about sustainability, the thing about access, the thing about the thing, the thing about ideas, the thing about the climate, the thing about representation, …
Photoworks is the UK’s leading development agency dedicated to photography.
Specific events mark generations and eras. If you’re an adult American today, you can recall where you were and what you were doing when the jets hit the World Trade Center because it changed your world forever.
Critical Pulse invites you to reflect on your position and needs in the current art landscape. Explore your existence in our immediate creative ecosystem by generating text and image-based responses to the selected questions by University of Sussex alumni as part of the Sussex Festival of Ideas. What are the possibilities for the art sector? …
Each morning that I walk into work at the Victoria and Albert Museum, I am made strongly aware of the frame of reference surrounding the photographs that it is my job to care for and to make accessible on a physical and intellectual level.
Photographer, Sian Davey, author of ‘Looking for Alice’, took over our Instagram account during March, 2016.
Recent 2016 University of Brighton MA Photography graduate Martin Seeds looks at the role of the Northern Ireland Assembly using the natural landscape as metaphor for the fragile political landscape.
Leading on from our Open Forum events during Brighton Photo Biennial 2018, we asked artist Nana Varveropoulou back to kick off our Instagram photochats. As part of our issue #1 Europe, photochats are conversations through images. Featuring Nana Varveropoulou and System of Systems (Danae Io, Rebecca Glyn-Blanco and Maria McLintock).
Photoworks is pleased to announce Nicholas J.R. White as the recipient of the 2025 Ampersand/Photoworks Fellowship. Now in its third edition, the Ampersand/Photoworks Fellowship is a biennial opportunity for mid-career artists to create and exhibit a new body of work. Over the course of the next year, White will develop a new body of work, …
Shipping policy and collections We usually try to ship orders within two working days, either by Royal Mail or by courier (generally Interparcel UPS). Please note that we are a small team and at busy times we may take a little longer to fulfil your order. If you would prefer to collect your order in …
When was the last time you were asked to carry something or someone? When was the last time you felt you had to carry something or someone? Before you explore this task, please read Pixy Liao texts here. In pairs, look at It’s Never Been Easy To Carry You by Pixy Liao and answer the …
A resource exploring representation, gender roles and stereotypes through the work of Pixy Liao.
Critical Pulse – UnderExposed 9 November – 8 December 2021 Critical Pulse is a commissioned work by the collective UnderExposed. It is the outcome of a six-month project initiated by the Sussex Festival of Ideas and Photoworks. In June 2021, a panel of curators, directors and arts consultants came together to discuss what lay ahead …
In the opinion of most observers, the process of political transition in Spain was a model of its kind.
Robert Rauschenberg and Jasper Johns met for the first time one winter night in 1954 on the corner of Madison Avenue and Fifty-Seventh Street.
Recent ING Unseen Talent Award winner, Andrea Grützner features on our Ideas on Talent series. We discuss how she came to photography, her approach to spaces and the difference between public and private.
Ian Flanders’ series ‘By The River’ was selected from our call for entries for our upcoming Annual on ‘Women’.
In this commissioned article for Photoworks Annual, Diane Smyth provides context for the three selected folios and presents the very different, but equally critical, takes on the marketing fantasy of fashion photography.
What responsibility does a photographer have towards the people they show? And are images fundamentally objectifying? Rene Matić is a London-based artist and writer whose practice spans photography, film, and sculpture, converging in a meeting place they describe as ‘rude(ness)’, or an evidencing and honouring of the in-between. Photoworks assistant curator Danit Ariel met with …
How Vernacular Photography Both Confronts and Repairs Gaps in Archives By Laura Havlin, 12 December 2025 Post War Manchester © Shirley Anne Fyffe / British Culture Archive Photographic archives serve as collective memories, showcasing what the world, a place, or an event was like. But like memory itself, they can be deceiving. There can be …
A resource inviting students to engage critically with the technologies behind digital image making. Introduction Images surround our daily lives, but what’s involved in getting these images in front of our eyes, the technology that brings photography to our screens? Do you always need a camera, a human even, to create an image? What are …
Carolina Semprucci, 06 December 2024 General outrage regarding Meta’s small print enabling AI training from public posts on Instagram and Facebook has recently reignited debate about the lack of transparency surrounding data collection. Although Meta confirmed that re-sharing the viral post objecting to the training was never a valid opt-out method, the ease with which …
Queer History Now is an LGBTQ+ youth group dedicated to responding to queer histories through heritage and creative skills. The collective has brought together young people with different interests and backgrounds who have developed a shared ethos for encountering, producing and challenging queer history. The group built a visual language using a broad range of …
Written by Fiona Rogers Throughout her career, Catalonian photographer Laia Abril has been visualising the unimaginable and creating one of the most important records of our time; a photographic history of misogyny and its ongoing impact on the lives of women and girls. In her powerful three-part exploration entitled A History of Misogyny, Abril interrogates …
Saman archive started as a collection of negatives taken by professional photographers in Ghana but, says founder Adjoa Armah, the project is much more than a picture library. Taking in many other aspects of Ghanaian culture, it also encompasses her diasporic relationship with the country, and how we think of and create archives. Photography+ writer in residence …
Dance is a universal language of expression. We dance alone, in the privacy of our own homes; we dance together, in pairs and in groups, forming communities based on shared likes and experiences. Photoworks X at Peckham 24 explored the intersection between dance, music and movement through contemporary photography, performance and video, celebrating how these …
This is a question that resounds throughout the history of photography. When Robert Frank first published The Americans, one of the touchstones of modern photography, it was greeted with dismay and derision by many critics including the photographer and editor of Aperture magazine, Minor White, who damned it as , “Utterly misleading! A degradation of a nation!”
Photographs taken in secret by cross-dressers in the 1950s and 60 are now being widely published and shown: curator and editor Isabelle Bonnet has pondered the ethics for and against showing their images, finds Diane Smyth. © Art Gallery of Ontario Andrea Susan (attributed to), Photo shoot with Lili, Wilma, and friends, Casa Susanna (detail), …
The photographic portrait is a troubled category. Representations of non-normative sexualities are dependent upon the forensics of biological determinism, which read signs of difference on the surface of the body as symptoms of abnormality.
Images by Tee Corinne Text by Charlotte Flint In the spring of 1978, American photographer Tee Corinne began working on her remarkable photobook, Yantras of Womanlove: Diagrams of Energy. Following a profound heartbreak, Corinne described how she ‘began to have waking dreams about this book. It became like a lover for me through one of …
Faces are funny things. They are inordinately plastic and expressive, constantly changing according to our health, attitudes and moods—brightening and darkening, lifting and drooping, opening and closing—and always, inexorably in the process of ageing, whatever makeup or makeover manoeuvres we try to pull off.
In partnership with the V&A’s Parasol Foundation Women in Photography Project, we are excited to announce the first UK exhibition of Laia Abril’s, A History of Misogyny, Chapter two: On Rape and Institutional Failure, at the Copeland Gallery in Peckham, London. A visual history of misogyny spanning over 2000 years—focusing on the pervasion of rape in societies around the …
Selected as one of the ten showcases from the Annual submission entry ‘Women’, Rebecca Soliman explores what it is to be a member from the territory of Bedouin, Egypt; focussing on what it means to be a Bedouin woman in a land full of crime and violence.
Anouk Kruithof’s work has been included in group exhibitions at renowned institutions such as FOAM, the Nederlands Fotomuseum in Rotterdam, the Stedelijk Museum Amsterdam and the Museum of Modern Art in New York and this week, she will take over our platform to share her work.
Hidden Gems, 2022 Felicity Hammond’s large-scale collage transports us to futuristic fiery orange scenery. It is reminiscent of apocalyptic images, a run-down construction site in an unknown future. No organic materials can be found; everything needs to be covered. The extracts of blue and orange cleaning products and the silver minerals reinforce the impression that …
“And thus, in me one sees the law of counter-penalty,” writes Massimiliano Cortesellli in the introduction to Contrapasso. The phrase comes from The Divine Comedy by Dante Alighieri, which starts with the author taking a journey through hell with the Roman poet Virgil, meeting the deceased. These people are being punished according to their sins, …
What do Benjamin Franklin, Thomas Paine, Alexander von Humboldt, Edgar Allan Poe, Mark Twain, George Bernard Shaw, Rudyard Kipling, Gertrude Stein, Upton Sinclair, D. H. Lawrence, Ezra Pound and T. S. Eliot have in common?
By Iain Boal On September 11, 2001 Gary Schroen had just enrolled in the CIA’s ‘retirement transition program’. One week later, the former station chief in Kabul and Islamabad was on a plane to Afghanistan, leading a six-man assassination team in the hunt for Osama Bin Laden and his general staff.
Vilem Flusser, an exemplary twentieth-century philosopher of photography, wrote that a photographer is not a “Homo Faber” but a “Homo Ludens,” and a trickster.
Vast environmental panoramas have been a part of Zoe Childerley’s practice for some time, cataloguing people and their landscapes from the Mojave desert to the Scottish borders. She has travelled far afield, immersing herself with rural communities to create bodies of photographic work made, often using mixed media, over periods of time. For Beneath the …
University of Brighton
Sallis Benney Theatre
Grand Parade
Saturday 29 September
£6/£5
1 – 4pm
1st place Photoworks Graduate Award winner, Matthew Broadhead explores chronology, boundaries and ideas of home in Heimr.
We interviewed Sophie Gerrard in the run up to her upcoming exhibition for Document Scotland: The Ties That Bind at
Edinburgh’s Scottish National Portrait Gallery
A review of Mandy Barker’s STILL (FFS) Written by Ricardo Reverón Blanco. ‘Dignified,’ ‘harrowing,’ and ‘inquisitive’ are the words that come to mind when encountering Mandy Barker’s newest body of work, STILL (FFS). Joining scientists on Lord Howe Island—600 kilometres off the coast of New South Wales in the Tasman Sea—in April 2019, Barker began …
Want to hear more from Nadia Huggins? Watch below an interview between Editor Nisha Eswaran and artist Nadia Huggins where she shares insights into her practice, motivations and much more: https://www.youtube.com/watch?v=T4EYDHxs_54 Nadia Huggins was born in Trinidad and Tobago and grew up in St. Vincent and the Grenadines, where she is currently based. A …
Gallerist Chris Littlewood shares his viewpoint for a week by taking over our Instagram account, February 2017.
Recent Photoworks Annual Issue 24 contributor, Andrew Mroczek becomes our next guest editor for our Instagram takeover, February 2018.
Watch Heather Agyepong discuss her series ‘Habitus: Potential Realities’ shown as part of Brighton Photo Biennial 2018.
Listen to Lynn Weddle discuss the making of Brighton Photo Biennial exhibition ‘Why Are We Leaving?’ where young people from Brighton & Hove used photography to respond to the themes of this year’s festival.
Nadav Kander discusses his latest series ‘Dark Line – The Thames Estuary’ showing at Flowers Gallery, London, December 2017.
A Channel 4 commissioned film about survivors of the Lampedusa boat tragedy has grown out of a project enabled by The Photoworks British School at Rome (BSR) Fellowship.
By Shoair Mavlian, Photoworks. Combining photography, painting, video and installation Shiraz Bayjoo’s work is multi layered, providing the viewer with a window into complex past histories. His research-based practice often evolves from deep investigations into the legaceys of empire and colonialism. Having made context specific works about his native Mauritius, a space of Afro-Asian hybridity, …
I have always been fascinated by the work of Diane Arbus. Following several visits to the groundbreaking show Revelations at the V&A, the UK’s first comprehensive survey of her life and work, Arbus’s original approach to photography confirmed for me that the power of her vision remains embedded in her photos.
Max Houghton weaves a historical and contemporary view through photograph and women photographers who use wit to disarm.
Max Pinckers is an artist based in Brussels, Belgium. His oeuvre explores visual strategies in documentary photography.
The Sea Stayed Calm for 180 Miles is a mixed media installation made up of 3 distinct elements- real-time stream from Google Earth, sound and the bench.
Black looks? Capturing the (de)colonial in the everyday Hudda Khaireh Public monuments function as technologies of memorialising, mnemonic devices that commemorate national narratives. Increasingly, they have also been sites of intense scrutiny, as the histories these monuments commemorate the bodies they venerate – generally white male military and merchant figures – have been criticised for …
Chloe Sells becomes our next guest editor for our Instagram Takeover. Sells was born in Aspen, Colorado and began photographing in 1993.
In this conversation with David Batchelder, we hear about his new body of work, Tideland, and his approach to capturing these otherworldly landscapes.
Watch Émeric Lhuisset discuss his series L’Autre Rive shown as part of Brighton Photo Biennial 2018.
Rui Lan in Conversation with Diane Smyth, 06 December 2024 DS: How did you get into photography and film? RL: For my BA I moved to Beijing and studied finance, but after I graduated I went to an exhibition by Japanese photographer Eikoh Hosoe and found myself caught by his work. Previously, I didn’t know …
© Simon Roberts, Road trip, Altai Mountains, Russia, 2005[/caption]
Listen to Inès de Bordas, Curator of Cross Channel Photographic Mission as part of the Brighton Photo Biennial 2018, discuss her choices and the history of the exhibition.
Watch Tereza Červeňová discuss her series ‘June’ shown as part of Brighton Photo Biennial 2018.
Listen to Robin Maddock discuss his series ‘Nothing We Can’t Fix By Running Away’ shown as part of Brighton Photo Biennial 2018.
Dalby Forest Residency, Forestry England Photoworks and Giovane Fotografia Italiana | Premio Luigi Ghirri (Young Italian Photography | Luigi Ghirri Award) are delighted to announce our selection of Camilla Marrese and Alessandro Truffa as the photographers who will undertake a one-week artists’ residency at Forestry England Dalby Forest, North Yorkshire. Alessandro Truffa (Cuorgnè, Turin, 1996) …
As the migrant crisis in Europe continues apace, Gemma Padley considers the work of three photographers exploring migration through photography.
“Well, we must wait for the future to show.”
― Virginia Woolf, To the Lighthouse
